How David Bowie, long thought ambivalent to country music, became a writer on a Chris Young song

Chris Young performs at the 56th annual Academy of Country Music Awards in Nashville, Tenn., on April 16, 2021, left, and David Bowie performs during a concert in Hartford, Conn., on Sept. 14, 1995. Young’s latest single, “Young Love & Saturday Nights,” samples Bowie's 1974 hit “Rebel Rebel." Bowie, whose extensive music catalog was sold to Warner Chappell Music last year, is credited posthumously as a songwriter on the track, making it one of the genre-melding icon's few forays into country music. (AP Photo)
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LOS ANGELES — Country star Chris Young’s latest single, “Young Love &Saturday Nights,” is a vivid love letter to summertime weekends, old trucks, dive bar bands, and crushes. And it might sound immediately familiar: The guitar lick that opens the track is lifted directly from David Bowie’s 1974 hit “Rebel Rebel.”

Bowie is credited posthumously as a songwriter on the track, making it one of the genre-melding icon’s few forays into country music — noteworthy, because Bowie himself was not quite a fan of the genre.

“I think the only music I didn’t listen to was country and western, and that holds to this day,” Bowie told NPR’s Terry Gross in 2002. “It’s much easier for me to say that, the kind of music I didn’t listen to was pretty much that.”

So how did Bowie, who died in 2016, end up on the track?

Warner Chappell Music became the custodian of Bowie’s musical legacy — acquiring the worldwide rights to over 400 of his songs, including “Rebel Rebel” — when the company purchased his extensive music catalog in 2022.

Ben Vaughn, president and chief executive officer of Warner Chappell Music Nashville, says his team asked songwriter Jesse Frasure to “get creative using elements from Bowie’s catalog to write a new country song. He ended up doing an interpolation of ‘Rebel Rebel’ and the demo he turned in was an instant smash.”

“Getting the call from Bowie’s estate and Warner Chappell to creatively explore his catalog was an exciting day,” Frasure said in a statement. “Interpolations to me are a way of tipping a hat to my heroes and maybe even introducing their music to a new audience.”

He added that it is an honor to have Bowie’s music “be heard in the country genre.”

WCM A&R executive Spencer Nohe then pitched the song to Young’s team while their legal counsel, Steve Butler, negotiated the deal.

Young writes many of his own songs, but when he first heard the demo written by Ashley Gorley, Josh Thompson and Frasure, he knew he wanted to record it.

“It tackles universal themes that a lot of people can related to. That’s the end goal of the song: to make you feel like you’re in it,” Young told The Associated Press. “And the fact that David Bowie’s catalog got picked up and they decided to do something special like this, and list him as a songwriter on the song, is a really cool thing.”